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SPECTRALAYERS PRO 2 TUTORIAL HOW TOYou can basically run anything on a car battery, however there are no clear instructions on how to hotwire a car battery to an appliance. Lets says for example you have food in the refrigerator and there was a blackout and the electricity went out in your area (where you live), technically you can (in theory) run a low wattage household appliance directly from a car battery, however in order to do that, you would need to know the fundamentals/basics of how electricity works (otherwise you could fry your appliance or worst get yourself killed). For the documentation to include “how to remove background noises and restoration techniques/tips/tricks” is like the scenario of installing a light fixture directly into a electrical car battery. The op is talking about removing background noises and I dont believe the op realizes that is a completely different thing altogether. Really? That’s the best Steinberg can do? - all music breaks down into ‘vocals, piano, bass, drums & other’? How should one understand to approch this manually and take far greater control than the so-called ‘AI’?Īs I said before “source separation”(removing background noises, reverse engineering, separating/isolating sources) is a completely different subject altogether. SPECTRALAYERS PRO 2 TUTORIAL PROFESSIONALGiven that Steinberg techncial support is amlost impossible to access in recent years (many posts about this elsewhere), the lack of professional documentation is IMO unnacceptable. Resolve pricing is also about the same as for Spectralayers. ![]() SPECTRALAYERS PRO 2 TUTORIAL MANUALSI find this in stark comparision to (say) the Nuendo & Wavelab manuals which allow one to study certain sections when required, or let’s say the significant DaVinci Resolve Studio manual which indeed provides so much information this can be overwhelming, but still, this supports targetted use for certain contexts, when needed. Having just paid for Spectralayers Pro 8 and installed for the first time - am very surprised to find that i) the ‘manual’ is very light indeed and ii) similarly for the online videos that the manual links to. I am puzzled about this as well & don’t see how any of the comments here respond to the OP. So if someone who can communicate the painfully obvious, that is documentation to properly use Spectra Layers Pro, this mere mortal would only be too delighted to access it. Wait, you have the cure for cancer? Great! But hold on, you cannot communicate the cure to another person though it is painfully, laughably obvious to you? Then that knowledge is useless. SPECTRALAYERS PRO 2 TUTORIAL SOFTWARESo, if there is a great piece of software and no adequate documentation, it is useless. While it is documented that some can play an instrument perfectly, out of the womb, like you, most need lessons and simply having the instrument is not enough. It’s like, if someone can hold a bass, why can they not play like Geddy Lee when it is so damned obvious? If you ever sat in front of a drum kit, why can you not just play like Neal Peart? A guitar, why not do prog rock solos like Alex Lifeson, intuitively? Or trying to pull voices out of wide-band noise? How is this not intuitively known? How is that not exactly the same as forensic audio, culling voices from cassette in harsh environs with noises that creep in around the vocal audio range. Not extensive experience, but some Indeed, an audio engineer who records rock legends in highly controlled environs with high-end mics and the best recording gear money can buy or a pro sound mixer for top TV shows who mixes audio brought in by full-time pro sound recordists who work only with pristine audio. Or record interviews in the street and later I try to filter out the city noises. There were some interviews in church rooms where I learned the wonders of ‘deverberate’. For instance, I would record a shop owner who cannot leave his/her business and they have industrial freezers and refrigerators running in the background (this is generally mains hum removal). ![]() The most experience I have would be when doing audio post for video work in Adobe Audition. The audio work I want to do is sort of forensics level and it is a good skill to have I think… It really is a separate discipline hence why they could not really advise me. ![]() SPECTRALAYERS PRO 2 TUTORIAL FULLAnd yes, I know full time audio engineers but they point out that audio repair/restoration is a different animal from engineering/mastering/recording. While I can do some basic de-noising techniques, SFP can go further. As is pointed out before, SLP is a forensics level tool. While I have used noise reduction in Audacity going back to 2005/6 and Adobe Audition starting in 2013 when I attended multimedia school, I have not done anything deeper. SLP was in a Sound Forge Pro bundle that I got more recently. I have an old copy of iZotope RX5 and an old copy of Acoustica by Acon Digital with older plugins. ![]()
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